We know people today are very intrigued by the immortal figure, whether it be superheroes or True Blood. The theme itself is quite physical - love and life and death all very closely united. “To create new story ballets, you have to find a new narrative work that is interesting to people, that can work with a large corps de ballet and that can be danced to symphonic music,” explains Grand-Maître.
Photo by Lyle Aspinall Lyle Aspinall / Lyle Aspinall/Postmedia Network 27 to 29 at the Southern Alberta Jubilee Auditorium. Please try again Article content Kelley McKinlay, in the role of Dracula, performs with his wife Reilley McKinlay during a dress rehearsal for Dracula at Alberta Ballet in Calgary, Alta., on Tuesday, Oct. The next issue of Calgary Herald Headline News will soon be in your inbox. If you don't see it, please check your junk folder. Manage Print Subscription / Tax ReceiptĪ welcome email is on its way.More information about the season will be available at. Ballet West will then take the program to the Kennedy Center, to run June 18-22, 2024. Two international guest companies, yet to be announced, will also take part. The festival is focusing on Asian choreographers this year, and will feature world premiere works, commissioned by Sklute, by Caili Quan and Zhongjing Fang. The season will close with the return of Ballet West’s Choreographic Festival, June 5-8, at the Rose Wagner Performing Arts Center, 138 W.The three works featured are: The Utah premiere of “Blake Works I,” by choreographer William Forsythe set to the songs of James Blake the revival of “Red Angels,” choreographed by Ulysses Dove with music by Richard Einhorn, and featuring four dancers and an electric violin played by Mary Rowell, one of only two people to ever perform the score and Kurt Jooss’s 1932 work “The Green Table,” performed to a score for two pianos written by Frederick Cohen. Another triple-bill, with the umbrella title “Love and War,” will run April 12-20, 2024.The show, designed as an introduction to young audiences to ballet, is conceived and produced by Sklute and choreographed by Robinson-Harris with Peggy Dolkas.
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The Family Classics Series will return with “Beauty and the Beast,” performed by Ballet West II and members of the Ballet West Academy, March 29-30, 2024.The production is conceived and produced by Adam Sklute, Ballet West’s artistic director, after original choreography by Marius Petipa and Lev Ivanov, with additional choreography by Pamela Robinson-Harris, Ballet West’s principal rehearsal director, and the late Mark Goldweber. Another ballet classic, “Swan Lake,” will be performed Feb.
Before the Capitol Theatre run, Ballet West will take “The Nutcracker” to Washington’s Kennedy Center, Nov. C.” to those within Ballet West - first choreographed nearly 80 years ago, will make its annual holiday run, Dec.
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